Hira Singh Khatri

Shyam Chhetri is a Nepali director and writer currently based in Reynoldsburg, Ohio, recognized for his storytelling focused on diaspora life and emotional realism. Born on February 6, he has emerged as a new creative voice with his 2026 film Prawasi Jiwan, a project that reflects the struggles, hopes, and cultural identity of Nepali immigrants abroad. Chhetri continues to develop films that highlight community narratives and the lived experiences of the global Nepali diaspora.

Rajendra Shalabh (also credited as Rajendra Salav) is a veteran Nepali filmmaker and lyricist whose career spans cinema, literature, media, and cultural programming. Active since 1990, he has directed notable Nepali films such as Bijaya Parajaya (1990), Bhauju (1993), and Paribhasha (1994), and contributed as a lyricist and writer across multiple projects.Beyond cinema, Shalabh is recognized as a poet, cultural organizer, and media professional. He has been involved in poetry recitation programs, literary events, and audiovisual poetry projects featuring major Nepali poets. His multidisciplinary work extends into television production, education, and entertainment management, including serving as Executive Director of CG Entertainment and working as a Law Associate at Tribhuvan University.

Alok Nembang (June 9, 1973 – November 6, 2014) was one of Nepal’s most influential film and music‑video directors, celebrated for shaping the visual language of modern Nepali pop culture. Beginning his career as a VJ and model, he went on to direct over 600 music videos, introducing cinematic style, fresh aesthetics, and youth‑driven storytelling. Nembang made his feature‑film debut with the hit romantic drama Sano Sansar (2008), followed by Kohi Mero (2010). Known for his creativity, discipline, and trend‑setting vision, he remains a defining figure in Nepal’s contemporary visual and musical landscape.

Ramesh Koirala is a Nepali film director recognized for his grounded approach to storytelling and his focus on emotional realism. Active in Nepal’s evolving film landscape, he has contributed to projects that highlight social themes, personal journeys, and relatable Nepali experiences. Koirala’s direction emphasizes clarity, performance‑driven scenes, and strong narrative structure, establishing him as a thoughtful voice in modern Nepali filmmaking.