Hemant Sharma

Tika Prasain, a renowned Nepali recording artist, playback singer, and live performer, has made significant contributions to the Nepali music industry. Let’s delve into her impressive journey: Versatile Talent: Tika Prasain’s melodious voice resonates with audiences across Nepal. She has sung more than 100 Nepali songs for movies, collection albums, and in various Nepali regional languages. Her latest hits include: “Maya Luki Luki”: This soulful track has captured the hearts of music lovers . “Nai Malai Thaha Chhaina”: Another popular song that showcases her vocal prowess . Awards and Achievements: Winner of the singing reality show “Timro Sur Mero Geet” broadcasted by Nepal Television in 1999. First runner-up in the “DABALI” singing competition organized by TIMES FM Kathmandu in 2005. Recipient of the 7th Bindabasini Music Award for the best duet song of the year (with Rajesh Payal Rai) in 2016. Nominated for the best female vocalist of the year at the 7th Bindabasini Music Award in 2016. Her album “MELODY” received a nomination for the best album of the year at the 18th Image Award in 2016. Public choice award for the song “Maya Luki Luki” at the 20th Image Award in 2018 . International Performances: Tika Prasain has showcased her talent in various countries: Australia: She performed in different cities during her musical concert tour in 2017. India: Her musical concerts took her to various cities in India in 2015. Popular Songs: Enjoy some of Tika Prasain’s hit songs: “Maya Luki Luki” “Nai Malai Thaha Chhaina” (with Sanjib Parajuli, from the album “Sang Sangai”) “Timi Malai Mann Parchha” (with Sanjib Parajuli, from the album “Sang Sangai”) “Chatta Salam Chha” (with Sameer Acharya) “Timi Bhanchhau Bhane” (from the album “Melody”) “Hataima Chura” (with Rajesh Payal Rai) “Kanchhi Re” (with Tanka Budhathoki) “Sagar Jati Gahiro” (with Swaroop Raj Acharya) Tika Prasain’s enchanting voice continues to captivate listeners, making her a true melody queen! 🎤🌟

Pooja Lama is a multifaceted Nepali artist known for her work as an actor, singer, and supermodel. She began her career in modeling and quickly rose to prominence for her bold presence and striking style. Notably, she was one of the first Nepali models to push boundaries in fashion photography, which sparked both admiration and controversy. She later transitioned into music, forming an all-girls band with Pushpa Sunuwar and Chanda Lama, and released music albums that showcased her vocal talent. Her acting debut came in the film Papi, alongside Rajesh Hamal and Bipana Thapa, directed by Narayan Puri. Despite a vibrant career, Pooja Lama stepped away from the spotlight around 2009–2010. Her personal life, including high-profile relationships and a brief conversion to Islam during a stay in Doha, often made headlines. Recently, she’s made a quiet return to the public eye, hinting at a possible comeback in entertainment.

Sawan Joshi is a talented Nepali sitar player, composer, and music teacher known for his soulful renditions of Hindustani classical ragas. With a deep foundation in Indian classical music, he has performed at prestigious venues such as the Harmony Nepal Japan concert at Patan Museum, where he played Raga Bageshree alongside tabla maestro Milesh Tandukar. Sawan has spent several years teaching music in Japan, where he continues to promote South Asian classical traditions to international audiences. His performances are marked by meditative depth, melodic clarity, and a strong sense of raga structure. He is also associated with the Society of Classical Music Nepal, contributing to educational sessions and cultural exchange programs.

Navras Shrestha is the founder, lead vocalist, guitarist, lyricist, and composer of The Lakhey, Nepal’s pioneering Newa (Newari) metal band based in Kathmandu. Known for blending traditional Newar musical elements with the power and edge of metal, Navras has carved out a space for a truly indigenous and modern sound that speaks both to cultural identity and musical evolution. His first Newa metal song, Dhampa Tacha, was recorded in 2005—a bold and groundbreaking transformation of a Newa rap piece into a heavy, guitar-driven anthem that laid the foundation for what would become the Newa Metal genre. Over the years, Navras has created and performed a variety of original songs and covers that showcase his wide-ranging musicality. Tracks like Jeevan, Miss Julie (a fully home-recorded, arranged, mixed, and mastered song), and Ae Kancha (a duet cover with a female vocalist) reflect both his technical abilities and his emotional range as a musician. His reimagining of Malshree Dhun—a revered Newari and Nepali traditional piece—is particularly notable for incorporating Spanish and Indian Rajasthani techniques and a touch of Hindustani classical flavor with heavy drumming, giving the folk tune a new life in a contemporary soundscape. Navras’s musical curiosity extends beyond local traditions—he has embraced songs in foreign languages, including a Georgian piece (Erti Nakhavit by Chveneburebi), while also composing original works like Swagta Mu Hai Nheeaye in Nepal’s Thakali language. In 2022, Navras completed his Master of Fine Arts in Music with a focus on Hindustani Classical music. During this time, he developed a deep interest in songs from various ethnic and regional backgrounds of Nepal. Rather than simply studying them academically, Navras has immersed himself in the melodies, rhythms, and stories found in songs of Nepal Bhasa (Newar), Charya (ritual Buddhist music), Tharu, and Limbu and other indigenous languages. He is currently preparing to record and preserve these culturally significant pieces with modern arrangements—ensuring their continuity and relevance for future generations. His academic contribution is also noteworthy. For his master’s thesis, Navras conducted in-depth research on Dapha music (Asan Bajan Guthi). His thesis has since become a valuable resource for members of the Guthi and other musicians who are interested in traditional music. The work not only documented the artform but also shed light on the present condition and challenges faced by the community in keeping their musical heritage alive. While music is his core identity, Navras Shrestha is also a skilled Full Stack Web Developer by profession and currently works at GTA Nepal. His ability to balance a demanding tech career with an expansive artistic practice speaks to his discipline and creativity. In addition, he is deeply passionate about photography and videography. From capturing evocative model portraits to creative visual storytelling, his visual work complements his music, allowing him to express his artistry across multiple forms. Whether through metal riffs rooted in Newa culture, folk songs from across Nepal’s diverse communities, world music explorations, or visual compositions, Navras Shrestha stands out as a multi-talented, cross-disciplinary artist. He continues to inspire others not just with what he creates, but with how he connects deeply to culture, community, and creativity.