Ekdev Limbu

Bimochana Lomjel is a rising voice in Nepali music, carrying forward the rich artistic legacy of her parents—composer Chandan Lomjel and singer Daisy Baraili. Born and raised in Darjeeling, Bimochana first captured national attention as a standout contestant on The Voice of Nepal Season 2, where her classical finesse and emotional depth set her apart. She debuted with the song “Timi” and has since released tracks like “Charke Najarle”, “Laijaw”, and “Maya Baiguni”. Her performances in the Paleti music series—especially renditions of “Lekheko Thiye Chithi” and “Kataa Kataa Bataasamaa”—highlight her poetic sensibility and vocal maturity. These songs were composed by her father and often feature lyrics by the late Norden Rumba, creating a beautiful intergenerational collaboration.

Ram Thapa (1958–2008) was a pioneering Nepali folk singer, music director, and Radio Nepal presenter known for his humorous and socially conscious songs. Born in Kamalpokhari, Kathmandu, he began his musical career in 1974 and became a 7th Grade Music Director at Radio Nepal. He sang over 150 folk songs and directed music for more than 200, with hits like Thok Na Madal Thok, Timi Yesai Lajayau, and Ritu Haruma Timi, which was ranked 7th by BBC in 2003. He was the first to publish Nepali music books with lyrics and chords, contributing to music education. Ram Thapa also served as a judge on Nepali Tara I & II, mentoring young talent. He passed away in 2008 due to liver disease.

Thule Rai is a respected Nepali singer known for his contributions to modern and folk music. His songs, such as Srapai Deu and Man Bhitra, have gained popularity among Nepali music lovers. In addition to his musical career, he serves as a police officer in the Nepal Police. His dual role as an artist and law enforcement officer showcases his dedication to both cultural and public service.

Shisir Shrestha is a respected Nepali guitarist and music educator who trained under the legendary composer Ambar Gurung. Known for his refined technique and deep understanding of both Eastern and Western musical traditions, Shrestha contributed to numerous compositions and recordings during his time with Gurung’s team. He has performed in classical and contemporary ensembles, supporting the evolution of Nepali modern music. Beyond performance, Shrestha has mentored young musicians and promoted structured music education in Nepal. His work reflects the legacy of Ambar Gurung’s vision — blending tradition with innovation in Nepali music’s instrumental landscape.