Biju Ranjit

Jayanendra Chand Thakuri (1942–2020) was a prolific Nepali film actor whose career helped shape the foundation of modern Nepali cinema. A former Indian Army serviceman and Jawalakhel Youth Club cricketer, he entered films with Jeevan Rekha (1982) and went on to appear in over 100 films, becoming one of the most recognizable character actors of his era. Known for his grounded performances in social dramas, romantic stories, and action narratives, he brought emotional weight and authenticity to every role. His notable works include Kanchhi, Bishwas, Maya Preeti, Pheri Bhetaula, Angarakshyak, and Parkhi Base. He remained active until 2011 and is remembered as a respected, steady pillar of Nepali cinema.

Sarita Bhandari is a Nepali film and telefilm artist recognized for her natural acting style and her ability to portray relatable, emotionally grounded characters. Active across telefilms, TV serials, and feature films, she has built a reputation for delivering sincere, character‑focused performances that support narrative depth. Bhandari’s work reflects the everyday experiences of Nepali life, making her a dependable presence in both mainstream and independent productions. With a growing body of screen work, she continues to contribute to the evolving landscape of Nepali cinema and television.

Rajani Rana – Nepali Actress Known for: Simarekha (1997) – A well-regarded film in Nepali cinema Daag (2001) – Another notable performance that added to her reputation Abiral Bagdachha Indrawati (2057 BS) Career Highlights: Rajani Rana was active in the late 1990s and early 2000s, appearing in films that contributed to the golden era of Nepali film. Her roles often reflected strong emotional depth and cultural nuance. Other Appearances: She also starred in the film Bansha, alongside Shikha Malla and Kalyan Ghimire, directed by Shyam KC.  

Asmita Gautam is a Nepali poet, performer, writer, and teacher whose work blends emotional honesty with contemporary feminist and social themes. Active across spoken word, theatre, and literary circles, she is known for her expressive performance style and her ability to translate lived experience into intimate, resonant storytelling. Asmita’s writing often explores identity, womanhood, memory, and the quiet tensions of everyday life, making her a compelling voice among emerging Nepali creatives.She appears as one of the featured artists in the upcoming film Ek Mutthi Badal, contributing her poetic presence and narrative sensitivity to the project’s ensemble of storytellers.