Bhanu Bhakta Dhakal

Norden Tenzing is a legendary Nepali vocalist and the charismatic frontman of The Hillians, the pioneering Darjeeling band that helped define the sound of modern Nepali pop and rock. Known for blending Western harmonies with Nepali melodic roots, he became one of the most influential voices of the 1970s–80s music renaissance in the hills. His evergreen hits — “Musu Musu Hasideu,” “Gajalu Aakhai Chopne,” and other beloved tracks — cemented his status as a cultural icon across the Nepali‑speaking world. Norden’s soulful voice, innovative arrangements, and electrifying stage presence introduced a fresh musical identity that inspired generations of artists. Through his work with The Hillians, he expanded the creative possibilities of Nepali modern music and remains celebrated as one of Darjeeling’s most enduring musical legends.

Nischal Basnet is a celebrated Nepali director, actor, writer, and playback singer known for revolutionizing modern Nepali cinema. Born on January 17, 1980, in Birtamod, Jhapa, he studied film at Oscar International College. His directorial debut Loot (2012) became a cult hit, followed by acclaimed films like Talakjung vs Tulke (2014) and Loot 2 (2017). As an actor, he starred in Kabaddi Kabaddi, Dui Rupaiyan, and Prasad. Known for blending realism, dark humor, and social commentary, Basnet is married to actress Swastima Khadka. His work continues to shape the narrative and technical evolution of Nepali cinema.

Hercules Basnet is a music director, lyricist, singer and composer born and raised in Kamal Pokhari in the capital city of Nepal. Hercules Basnet has been the man behind some of the most beautiful movie soundtracks in the last five years. While he has been active since long, he started making it big in 2014 when his Jerryy soundtracks, 'K Yo Maya Ho' and 'Chahanchu Timilai', came out. And well, as they say, the rest is history.

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.