Ashusen Lama

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Kamala Shrestha is a celebrated Nepali singer known for her expressive voice and versatility across genres. She was born on Kartik 9, 2005 BS (approximately October 25, 1948 AD) in Kathmandu to Ram Bahadur Shrestha and Indra Maya Shrestha. Kamala began singing as a child and entered the professional music scene around 2024 BS (1967 AD) when she won first prize at a Radio Nepal anniversary competition for her song Naugediko Mala Mero. This marked the beginning of her active musical career, which flourished through the late 1960s, 1970s, and beyond. She was mentored by legendary composer Natikaji, who recognized her talent when she was just 13. Through Radio Nepal, she collaborated with iconic artists like Shiva Shankar and contributed to a wide range of musical styles—bhajans, Newari songs, Bhojpuri numbers, patriotic anthems, folk tunes, and adhunik (modern) songs. Over her career, she recorded more than 400 songs, many of which remain sadabahar (evergreen) classics. Kamala Shrestha also performed internationally, representing Nepal in India, China, Bangladesh, Hong Kong, Japan, and other countries. Her dedication to music continued even after marriage and motherhood, defying social expectations of the time.

Milesh Tandukar is a highly respected tabla virtuoso, composer, and music educator from Kathmandu, Nepal. A graduate of Prayag Sangeet Samiti, Allahabad, he trained under legendary gurus like Pandit Satya Narayan Chaudhary, Pandit Homnath Upadhyaya, and Pandit Prem Chandra Ojhaiya. He is the founder of the Pandit Satya Narayan Chaudhary Memorial Academy and has performed extensively across Nepal, India, France, and Japan. Milesh is known for his versatility across rhythm instruments including mridanga, dhime, dhol, djimbe, and nagada, and has contributed to albums like Musical Journey to Sindhuli Gadhi and Voiceless Voice. He is a recognized artist on Radio Nepal and Nepal Television, and teaches at institutions like Modern Indian School and Kalanidhi Indira Sangeet Mahavidyalaya.

Mamta Gurung is a skilled radio jockey and singer. Initially she was RJ at radio sarangkot 104.6mhz. She was involved in the third season of Nepal Idol. She had reached the top nine. Her voice was openly praised by the judges on Nepal Idol.