Ajay Adhikari ‘Sushil’

Umesh Pandey is a Nepali playback singer whose voice defined the popular film songs of the 2050s era, a time when audiences often went to cinema halls because of hit songs. Known for delivering melodies that instantly connected with listeners, Pandey rose to prominence with evergreen numbers such as “Rato Tika Nidharma Talkyo…”, which remain widely loved across generations.Pandey began his musical journey while studying at RR Campus in 2034 BS, where his close circle included singer Rabin Sharma and actor Bhuwan KC. Later, during his studies at Tri‑Chandra Campus, he became associated with noted musicians Shakti Ballav, lyricist Rajendra Paudel, and Prakash Shrestha. After passing the Radio Nepal test, he recorded his first song on 24 Poush 2036 BS, “Nai Bhanchhau Bhan…”, written by Vishwambhar Byakul and composed by Sambhujeet Baskota, at the age of 19.In 2039 BS, Pandey secured third place in the nationwide talent hunt “Pratibhāko Khoji,” organized by Ratna Recording Sansthan, earning him the opportunity to record professionally at a time when gramophone recording was considered a major achievement.His breakthrough came in the 2050s with Sambhujeet Baskota and director Ashok Sharma, who introduced him to film music through Nirmaya, where he sang “Meri Maya Saanchen Hai Ropi…” with Ramana Shrestha and Devika Pradhan. The massive success of “Rato Tika Nidharma Talkyo…” from Sharma’s film Allare established him as a leading playback voice. This success led to further hits, including “Goli Sisako…” (Gaunle), “Ma Bharma…” (Mr. Ramkrishna), and popular songs from films such as Aadhar, Naulothau Pari, Dharmaputra, Khatabah, Mitini, Jwalamukhi, and Saiyanji.Over his career, Umesh Pandey recorded songs for more than 25 films, with most becoming audience favorites. His expressive, melodic singing style made him one of the defining voices of Nepali cinema’s golden musical era.

Narayan Babu Koirala is a Nepali singer known for his expressive vocal tone and his versatile presence across modern, lok‑pop, and devotional music. Alongside his work in modern Nepali songs, he is also recognized as a bhajan singer, with dozens of devotional recordings that have earned him a dedicated following among spiritual and cultural audiences.Koirala’s voice carries a natural warmth and clarity, making him a preferred vocalist for modern sentimental compositions as well as spiritually themed bhajans. His contributions span studio recordings, collection albums, and collaborative musical projects, reflecting his ability to adapt across genres while maintaining a distinct vocal identity.

Roj Moktan is a celebrated Nepali singer and songwriter, born on July 3rd in Ramechhap, Nepal. He began his musical journey in 2048 BS (1991 AD) with the song "Boudhako Mane," which marked his entry into the Nepali music scene. Known for his energetic performances, Roj often captivates audiences with his guitar and Damphu, blending pop, folk, modern, and Tamang Selo genres. His unique style and heartfelt compositions have earned him a place among Nepal's top singers. Roj Moktan's music continues to resonate with fans worldwide, showcasing the rich cultural heritage of Nepal.

Shambhu Rai (शम्भु राई) is a legendary figure in Nepali music—a singer, songwriter, composer, and sarangi player whose work bridges traditional folk and modern styles. Born in Chungmang, Dhankuta, he rose to prominence in the 1980s and 1990s with his heartfelt lyrics and distinctive voice. Some of his most iconic songs include: “Chitthi Timilai Lekhu Bhanchu” “Yo Man Bhanchha Kaha Jau” “Chalechha Batas Sustari” “Aalu Dam Chana” He is also known for his mastery of the sarangi, a traditional Nepali string instrument, which adds a soulful texture to his compositions. Beyond performance, Shambhu Rai has contributed to the institutional development of Nepali music—he currently serves as the Vice Chancellor of the Nepal Academy of Music and Drama.