Bishwo Pradhan

Devi Gharti Magar is one of Nepal’s most celebrated folk singers, renowned for her powerful voice and deep connection to traditional Lok Dohori music. Born on January 5, 1986, in Ramuwa, Baglung, she has become a household name through decades of dedication to Nepali folk culture. Her musical journey began in the early 2000s, and she rose to prominence through duets with her husband and frequent collaborator, Raju Dhakal. Together, they’ve delivered countless hits, including “Oralima Bar”, “Dui Mutuko Bandhan”, and “Takine Aaina”. Her discography also features beloved songs like “Banki Chari” with Arjun Sapkota, “Lauri Harayo” with Pashupati Sharma, and “Rudai Fulyo Makhmali” with Badri Pangeni. Devi has received numerous accolades, including the Music Khabar Music Award, Teej Music Award, and Kalika Music Award, recognizing her as one of the best female folk singers in Nepal. She was also elected as a central member of the Lok Dohori Pratisthan in 2019, affirming her leadership in the folk music community. Her recent releases like “Saili Salala” and “Kholi Salala Jhaliko Jhalala” continue to resonate with audiences, blending heartfelt lyrics with traditional melodies.

Mira Rana (also known as Meera Rana) is a renowned Nepali singer who has made significant contributions to the Nepali music industry. Born on September 24, 1951, she has sung over 1,600 songs in her 55-year musical career. Mira Rana is considered a part of "Nepal's first wave of recording stars," recording folk, classical, and even pop songs during the country's modernization after the fall of the Rana regime. She has collaborated with artists like Narayan Gopal, Gopal Yonjan, Kumar Basnet, Udit Narayan Jha, and Ram Thapa. In addition to her musical career, Mira Rana has also been involved in politics. She joined the Rastriya Prajatantra Party Nepal in 2009 and contested for parliament from the Kathmandu-3 constituency in 2013. She was awarded the Narayan Gopal memorial prize in 2016, shared with Gyanu Rana, in recognition of her contribution to Nepali music.

Dibya Subba has spent five years in the Nepali music industry, releasing two albums, Pratha and Pariwartan. While he initially collaborated with arrangers, he always dreamed of working with a band. That dream has now come true with The BlueAcidz, a group he admired for years. His third album, DibyaSubba N' The BlueAcidz, marks a fresh chapter in his journey. With nine experimental tracks, the album explores themes beyond love and tragedy—delving into nature, mountains, and the spirit of Nepal. The creative process was organic, built in jam sessions where band members crafted melodies and lyrics together. Reflecting on his growth, Dibya embraces change and evolution, both in life and music. Grateful for his fans’ unwavering support, he remains committed to creating pure, meaningful, and ever-evolving music.

Mahesh Mukhiya Sunuwar (born May 24, 1992) is a Nepali singer known for his lok‑pop and modern melodic style. He entered the Nepali music industry in 2065 BS (2008/2009 AD) with the songs ‘Kehi Din Ma Tadha’ and ‘Tyo Pari Gaunma’, both later included in his debut album ‘Aash’ (2067 BS ≈ 2010/2011 AD) — a four‑song collection rooted in lok‑pop flavors.In 2070 BS (2013/2014 AD), Sunuwar released his second album ‘Promise’, featuring six songs blending lok‑pop and sugam sangeet. Tracks such as ‘Sanile Chhodchha Baru’, ‘Oh Gori Oh Gori’, ‘Pathibhara Devi Kasam’, and especially ‘Mathi Mathi Lekma’ helped expand his popularity. He also collaborated with renowned singer Milan Amatya on Pathibhara Devi Kasam.Initially treating music as a hobby, Sunuwar now pursues it seriously. Having begun by singing in his mother tongue, he is currently active with concerts and preparing his third album, where he will write and compose his own songs.