Gyanendra Bahadur Deuja

Rajendra Shalabh (also credited as Rajendra Salav) is a veteran Nepali filmmaker and lyricist whose career spans cinema, literature, media, and cultural programming. Active since 1990, he has directed notable Nepali films such as Bijaya Parajaya (1990), Bhauju (1993), and Paribhasha (1994), and contributed as a lyricist and writer across multiple projects.Beyond cinema, Shalabh is recognized as a poet, cultural organizer, and media professional. He has been involved in poetry recitation programs, literary events, and audiovisual poetry projects featuring major Nepali poets. His multidisciplinary work extends into television production, education, and entertainment management, including serving as Executive Director of CG Entertainment and working as a Law Associate at Tribhuvan University.

Veemsen Lama (born 5 December, Chitwan) is a Nepali singer and director active since 2003. He began his career with the recorded remake of the classic Nepali film song “Timi Mero Ma Timro – Maya Chokho Chha Hamro”, originally sung by Asha Bhosle and Indrajit Mijar from the movie Koseli. His remake version was produced with a modern action‑style music video directed by Simos Sunuwar, marking his first major appearance as a singer.Alongside music, Veemsen expanded into filmmaking, directing projects such as @KathaputaliMovie and contributing to the British film KAMA, establishing himself as a creative storyteller working across Nepal and abroad. With an I.Sc. education and interests in adventure, singing, and sports, he continues to balance artistic work with professional life.

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.