Kulendra Bishwakarma

Bulu Mukarung (born 1962) is a respected Nepali musician, composer, and vocalist known for his contribution to modern Nepali music and his distinctive blend of folk‑rooted melodies with contemporary arrangements. Beginning his musical journey in the early 1980s, he gained recognition for his refined compositions, emotive vocal delivery, and his ability to elevate lyrical depth through thoughtful musical interpretation. Mukarung’s work spans studio recordings, live performances, and collaborations with leading Nepali artists, and he is noted for maintaining musical authenticity while adapting to evolving trends. Honored with the Best Musician Award at Radio Nepal’s 2041 Annual Event, he remains an influential figure whose disciplined artistry continues to inspire emerging musicians across Nepal’s modern music landscape.

Kalyan Sherchan was a Nepali folk singer and composer known for his contribution to lok‑geet and traditional Nepali music. His works, many of which were broadcast through Radio Nepal, reflect the emotional storytelling and melodic simplicity that define classic Nepali folk traditions. Sherchan wrote and composed songs such as “Mai Dukhilai Ja Basyo Ui Ramro” and contributed to several lok‑geet recordings that remain popular in rural and urban Nepali communities. His music continues to be covered by contemporary artists, preserving his legacy as a respected figure in Nepal’s folk music heritage. Sherchan passed away on 7 February 2011.

Shanta is a folk and modern singer. Her first musical album is 'Bacha'. She studied music at Bageshwori Music School in Butwal. She is currently operating a business in Japan.

Kumar Basnet (born 7 July 1938) is one of Nepal’s most celebrated folk icons, renowned for his energetic performance style, satirical humor, and pioneering contribution to modern lok geet. Widely known as “Lok Samrat”, he popularized comedic and socially reflective folk music through classics like “Lai Bari Lai,” “Ama Bhanda,” “Herda Ramo,” and “Goru Bhanjyang.” Active since the late 1950s, Basnet’s charismatic stage presence earned him comparisons to Elvis Presley within Nepal’s folk scene. His achievements include the Tri‑Shakti Patta, Gorkha Dakshin Bahu, Birendra–Aishwarya Sewa Padak, and the Ratna Record Puraskar, honoring his lifelong impact on Nepali cultural heritage.