Basanta Gauli

Sangam Bhandari (born 1971) is a Nepali film actor active since 1991, recognized for his steady contribution to Nepali cinema. He began his career with Pariwar (1991) and Sampati (1991), later appearing in Chatyang (1994), Jay Baba Pashupati Nath (1995), and Surakshya (1999). His performance in Muna Madan (2003) strengthened his presence in literary‑adapted films, and he continued his work with Jhingedau (2022), marking over three decades of involvement in the industry.

Divya Neopaney is a Nepali film artist known for her expressive screen presence and her emerging work in contemporary Nepali cinema, including the 2026 feature film Prawasi Jiwan.

Nisha Sharma is a veteran Nepali theatre actress with a career spanning over three decades, known for her powerful performances in more than fifty stage productions. A leading figure of Aarohan Gurukul and a celebrated interpreter of complex roles such as Nora in Putaliko Ghar, she became the first woman Chancellor of the Nepal Academy of Music and Drama in 2023, marking a historic milestone in Nepali performing arts.

Gautam Ratna Tuladhar is a respected Nepali visual artist and veteran film actor, widely recognized as the first color‑film villain of Nepali cinema for his memorable performance in Nepal’s first color feature film Kumari (1977). A multi‑talented figure, Tuladhar built a parallel career as a वरिष्ठ चित्रकार (senior painter) while establishing himself as a powerful screen presence across dozens of Nepali films.Emerging from Kathmandu’s artistic community, Tuladhar became known for his expressive face, controlled intensity, and ability to portray layered antagonists with dignity and emotional depth. His role in Kumari marked a turning point in Nepali film history, introducing a new visual era and giving him a lasting place in the industry’s foundational narrative.Beyond cinema, Tuladhar was deeply active in Nepal’s theatre movement. During the early BS 2040s, he performed in numerous stage productions under the Sanskriti Sansthan, contributing to a generation of socially conscious, performance‑driven Nepali theatre. His stage work strengthened his craft and shaped his reputation as a disciplined, versatile performer.Across film, theatre, and visual art, Gautam Ratna Tuladhar is remembered as a multi‑disciplinary artist whose contributions helped define the early aesthetic and emotional language of modern Nepali storytelling.