Aalok Shukla

Sanjay Lama (Sanjay Lopchan Tamang) is the well known cinematographer in Nepali Film. Lama was born on 27 August 1977 in Lalitpur Nepal. Lama is the best cinematographer of Nepali film. He has been the recipient of 15 best cinematographer Awards Including three National Film Awards, two NFDC National Film Awards, NEFTA Film Awards, Kamana Film Awards, Inas Film Awards, Global Nepali Film Awards, Box Office Film Awards, FAAN Awards and LG Film Awards. After working on various technical roles for a long time, Lama has debuted as a cinematographer in the movie Kasle Choryo Mero Man in 2000. Since then, he has been successful in various movies like Bato Muniko Phool, Sayaad, A Mero Hajur 3, Moun, Dreams, Summer Love, Masan etc.

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Roshan K Shrestha is a professional cinematographer from Nepal. He spent many years as a main cameraman in television. He is also known for dozens of successful music videos and commercials. Experienced cinematographer with a demonstrated history working in the media production industry. Final Cut Pro specializes in video, camera, film, and documentaries. A strong media and communication professional who graduated from Balkumari.

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.