Sunil Tamang

Prabhat Rimal is a well-known media personality and event consultant in Nepal. He is the Founder and CEO of Vogue Ad & Event Management, one of Nepal’s leading event management companies. His expertise extends to radio programming, public speaking, and event coordination, making him a dynamic force in the industry. Previously, Prabhat served as the station manager of Kantipur FM, one of Nepal’s most prestigious media houses. He also runs Facelift, a platform offering professional training and local recruitment services. His leadership and vision have helped shape Nepal’s media and event landscape.

Binita Baral is a Nepali actress, model, and entrepreneur best known for her debut in the hit film Chapali Height (2012). Born in 1991 in Tanahun, Nepal, she gained fame for her bold performance and quickly became a prominent figure in Nepali cinema. After acting in films like Full Stop and Superhit, Binita shifted focus to organic farming and sustainable living. She studied agriculture in the U.S. and launched eco-friendly ventures promoting wellness and green entrepreneurship. Her journey from mainstream cinema to environmental advocacy reflects a dynamic career rooted in creativity, independence, and social impact.

Ashwini Shahi is an active name in Nepali modeling. She started her modeling journey through Artist Nepal. She has also acted in movies. ''Mental Ashiq" is her first movie.  She is successful in gaining buzz in the music video in a short time.

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.