Siyon Shrestha

Madan Gopal is a Nepali singer and musician recognized for his expressive vocal style and growing presence in the modern Nepali music scene. His songs blend contemporary melody with emotional storytelling, earning him a dedicated audience both in Nepal and abroad.

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.

Samip Niraula is a Nepali artist known for his work in music videos and social media. He has a significant following on platforms like YouTube and TikTok, where he shares his creative content. Some of his popular music videos include "Chahidaina Timro Maya", "Kya Khatra Thiyo Joke", and "Timi J Sukai Gara"

Shree K.C. is a promising young Dhrupad singer from Nepal, known for his deep, meditative vocal style rooted in the ancient Hindustani classical tradition. Recognized by the Society of Classical Music Nepal, he has been featured in curated sessions that spotlight emerging voices in classical music. His performances are marked by spiritual intensity, precise intonation, and a profound understanding of raga structure. Shree K.C. is part of a new generation of Nepali classical musicians who are reviving interest in Dhrupad—a genre known for its devotional and introspective qualities. He often performs in intimate baithak-style concerts and educational forums, helping to bridge traditional music with contemporary audiences. His dedication to vocal purity and disciplined practice reflects the guru-shishya parampara (teacher-disciple tradition), and he continues to grow as both a performer and cultural ambassador for Nepal’s classical heritage.