Ram Sharan Nepali

Ganesh Parajuli is a Nepali singer and composer with a career spanning over 25 years. He has recorded more than 100 songs for Radio Nepal, many of which are preserved in its library. His music covers a range of genres, including modern, classical, folk, and patriotic songs. His first recorded song, "Kehi Khusi Ka Din Pani", was produced in 1988 at Altra Sound Studio, which later became Music Nepal. Some of his most popular songs include "Timilai Apanau Bhanera", "Maya Phool Ho Maya Pat Ho", and "Suna Maya Jadai Chhu Ma Tadha". Ganesh Parajuli has performed internationally, traveling to over a dozen countries for musical tours. He has also received multiple awards, including Nai Kala Nidhi Sangeet Samman (2061 B.S.) and recognition from Ilam Municipality as the best singer of the year (2045 B.S.).

Neeta Dhungana is an actress and a model associated with Nepalese film industry. Neeta has been working in Nepali film industry since teenager. She has played as an elder sister in Ajambari Nata which was released in 2008.

Rusha Neupane is a Nepali actress and model known for her work in the entertainment industry. She gained recognition for her role in the film Bihe Pass (2022) and also starred in Jante Bakhro (2025). Beyond acting, Rusha has been featured in various television programs and interviews, including Celebs Talk Show on Himalaya TV. She has also collaborated with fellow Nepali influencers and artists in creative projects. Her presence in both film and media continues to grow, making her a rising figure in Nepal’s entertainment scene.

Gopal Raya Chhetri is a Nepali cinematographer and camera operator known for his work on the feature film Sarang (2025) and the crime‑drama series Crime Files (2021–2022), where he served as Director of Photography across eight episodes. His work reflects a grounded visual style, focusing on clean framing and narrative‑driven camera movement.Active in Nepal’s evolving digital‑cinema space, Raya has contributed to both long‑form and episodic storytelling, building a reputation for reliability in camera and lighting execution. His growing portfolio positions him among the new generation of Nepali cinematographers expanding into OTT‑style productions and modern Nepali feature films.