Sundar Shrestha

Mukunda Kishor Bhattarai is a veteran Nepali film artist known for his multi‑disciplinary contributions as an actor, writer, screenplay/dialogue creator, and story writer, active since 1989. His work spans some of the most influential films of the 1990s, especially Bhariya, Anartha, and Daju Bhai.   As Actor Tilahari (1989) Kanyadan (1990) Pariwar (1991) Deuki (1993) Daju Bhai (1995) Anartha (1996) Bhariya (1996) Pachheuri (1997) Gham Chaya (1998) Timi Nai Baseu Mero Manma (2000) Ko Hola Mero Mayalu (2008) Mero Manko Sathi (2013) Timro Kasam (2013) Euta Mancheko Maya (2014)

Bishwa Nepali is a versatile singer.his genre is semi classical.he is also associated with Rudra Band the folk and fusion band.

Sanjeev Singh is a One of the most popular and soulful pop singers in Nepal. His soul touching songs like Chulesima, Meri Maya, Gori Eta Sunana, Ramailo Cha Yo Sanjha, etc. are still on the lips of many music lovers. Sanjeev Singh is a good singer as well as a good songwriter and musician. He creates the lyrics and music compositions he needs. Most of the songs he sings have his own words and music. He went to UK, leaving Nepal, for his personal reasons, however, his passion for music could not let him stay too long. He came back to cater his new creation among his fans who had been desperately waiting to hear him sing again. Since Sanjeev came to Nepal, he has been involved in regular music activities to make fans happy with his music.

Ustad Asha Gopal was a respected classical vocalist from Kathmandu and the father of Swor Samrat Narayan Gopal. He was deeply involved in the devotional music culture of New Road, Kilagal, and surrounding temple areas, where he regularly led and participated in bhajan–kirtan traditions. During Narayan Gopal’s childhood, Ustad Asha Gopal often took him along to these bhajan mandalis, where the young Narayan accompanied the ensemble on basic instruments, absorbing classical discipline and devotional musical structure from an early age.Although formal recordings of Ustad Asha Gopal have not been found, his influence is widely acknowledged in oral histories. His grounding in classical and devotional music shaped the early musical environment that nurtured Narayan Gopal’s sense of melody, discipline, and vocal purity. Researchers consider him an important figure in Kathmandu’s traditional music circles of the early 20th century.