Subha Bahadur Sunam

Ranu Devi Adhikari (1936–2020) holds the distinction of being the first female singer of Radio Nepal. Born in Birgunj, Nepal, she grew up in Benaras, India, and later became a prominent figure in Nepal's music and political spheres. Her revolutionary songs, such as "Jaago Nepali," were instrumental in inspiring the movement against the Rana regime. She began her singing career with Prajatantra Nepal Radio in Biratnagar, which later became Radio Nepal. Despite societal challenges, she pursued her passion for music and education, eventually earning a Master's degree. Ranu Devi also worked as a teacher and remained a source of inspiration for many.  

Saran Kumar Pradhan (1943–1974) was one of Darjeeling’s most gifted lyricists, composers, and mandolin virtuosos, shaping the golden era of modern Nepali music. Born on 4 May 1943, he grew up in a culturally vibrant Darjeeling and taught himself banjo, harmonium, and mandolin with remarkable mastery. A science graduate from St. Joseph’s College, he later taught at St. Robert’s School, where he also composed the school anthem. A student of maestro Amber Gurung, Saran emerged as a leading figure of Adhunik music alongside Aruna Lama, whom he married in 1963. Their partnership produced timeless classics such as “Yaha Ful Nakhili Cha,” “Sabaile Bhanthe,” “Hera Na Hera Kancha,” and many others. His music club Sangeet Sangam became a creative hub that nurtured Darjeeling’s finest talents. Saran passed away in 1974 at just 31, leaving behind a luminous body of work that continues to define Nepali musical heritage.

Miss Panchawala Dasi – Singer Miss Panchawala Dasi was an Early Recording Era singer with 2 documented songs from BS 1991 (AD 1934/1935). No additional biographical details or song titles have been found in archival sources.

Mukesh Shakya is a young Nepali tabalist and classical musician, known as a disciple of the late maestro Rabin Lal Shrestha. He has performed in classical music sessions organized by the Society of Classical Music Nepal, including their 76th session, where his tabla playing was featured and praised for its precision and depth. Mukesh represents a new generation of Nepali classical artists dedicated to preserving and evolving traditional forms like tabla and Hindustani music. His training under Rabin Lal Shrestha places him in a respected lineage of percussionists, and his public performances reflect a growing commitment to Nepal’s classical music scene